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Hèrèmankono
Auteur : Diégou Bailly
Director : Sidiki Bakaba Photos - Interviews. -SETTING THE SCENE Sidiki BAKABA
DISTRIBUTION
.BEUGRE Dep.GABOU Laure.GBESSI Adji.PANGO Cecile .KOUAKOU Lezin Olivier .Mike DANON.Gilles BEBLO .KOUADIO Alida.SIDIBE Moussa.BAHIE Bahie .SY SAVANE Aboubacar.POCKPA Narcisse.EPHEY Béatrice.DAPLEU Jules
PRODUCTION : Ayala BAKABA Treacherous and tyrannical rumor! Without face to have a thousand and one, it makes its way through the convolutions of the mind, always on the lookout for his victims.
It runs through the suburbs to find shelter with the head of Poorcity. An African city. A city at the pace mid-urban, semi-rural. In the hollow of the soul, the sound is shaped a cozy cottage. There, she laughs and lives and destinies. It undermines the seals of conscience, reason and fathom juggling sometimes irrational. It becomes a mirror, the perfect thread that can scrutinize the company's many facets and under the weight of its problems: control and commercialism of the superpowers and multinationals on the world, poor governance and ills of under development, manipulation of information etc.
Implacable, stigmatizes the mirror. Its strength is ten times even though he faces a humanity floundering in a sort of gulag of oblivion, where everyone hopes to see the dawning light of a better tomorrow and be in bloom.
"Hèrèmankono, pending the happiness ...
A court is precisely this common symbolic name. Individuals, the most representative of all segments of society that failed, to live.
Men: a philosopher High graduate specialist Nietzsche, put the straw because of his teaching "politically incorrect", an old boy chef came from a neighboring country, a part of bank thanked abused and ruined a polygamist posing for a department head with his partner of 16 years.
Women: the unemployed wife of the philosopher that the boy cook selling sponges in fishing nets, the teacher's part bank also keeper of a small local rice trade, and the young concubine selling ginger.
The whole forms an explosive cocktail and hilarious.
To these archetypes are joined at intervals, other figures such as the owner of the hawkers of Christian zeal, the enumerator and the simple-minded.
If they fraternize, contradict and quarrel, they have no less need each other. Consciously or unconsciously, they have internalized the need to coexist in peace. All expect happiness, "he" who will lead, however, an unexpected and tragic denouement, in the wake of a sectarian Enlightenment. An answer probably reply: "Let us expect more than happiness falls to our feet like a ripe fruit."
The art of staging, that inspires this beautiful popular comedy well constructed Diegou Bailly, makes it a real treat. This especially as it meets all the ingredients adore the Ivorian fans. Our theatrical aesthetics here, therefore, transcends genres, allowing for the natural voice and to say the theater's own language. And when the language of the characters themselves are colorful and tasty talk slang popular Ivorian, we can only, while succumbing to the charms of laughter and being aware of our realities, dream of happiness we can not close. 
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(video) 
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